Screen

Boulder International Film Festival 2010

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Front Range film lovers, this is your season...

‘Edge of Darkness’ is boring

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Mel Gibson has made a lot of films where he’s the simple-minded tough guy, notably the Lethal Weapon series, but the last few years have seen his personal life overshadow his career as he careened from one gaffe to the next. Edge of Darkness represents him trying to ...

Not enough chills from ‘The Wolfman’

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Benicio and Joe put the "Goth" back in Gothic with...

‘Valentine’s Day’ an ideal date movie

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When making movies, it's possible to have too much of a good thing...

Seyfried and Tatum bring the love to ‘Dear John’

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Come on, with a title like "Dear John," you know there has to be some heartache, right...

‘Frozen’ taps into fear of heights

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In some circles, "Frozen" is being compared to last...

‘From Paris With Love’ tries too hard

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John Travolta shaved his head, dyed his goatee and...

‘Fish Tank’ has same strains of ‘Precious’

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LOS ANGELES — Mia is 15, all elbows and anger, going at her life in a rundown apartment complex in Essex as if it were one long skirmish in British filmmaker Andrea Arnold's exceptionally well-crafted drama, "Fish Tank...

‘The Messenger’ digs into a different side of the Army

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America is an interesting country. Full of contradictions, hopes, failures and, every now and then, surprises. The nation is complex, to say the very least. Perhaps one of the clearest representations of these complexities is the war in Iraq...

‘The Lovely Bones’ a profound movie

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When someone is murdered, their spirit lingers on, observing and trying to influence the course of justice, a ghost seeking revenge. But what of the ghost during this period, what’s their experience and what if there is no peace, no justice, nothing but someone who ...

‘Edge of Darkness’ needs more Gibson

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Moviegoers can rest easy. Mel Gibson is back in the business of starring in violent, paranoid thrillers. Back in the business of starring in movies — period...

‘When in Rome’ fails as romantic comedy

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You'd think by now Hollywood would have romantic comedies down to a cell-phone ap any studio exec could access...