When you see Elio this weekend, hang around for the end credits and keep an eye out for the name Matthew Silas. He’s a CU Boulder grad, and he’s working...

Boulder filmmaker shines a spotlight on his father’s cinematic legacy

What greater hell could exist for a parent than the loss of a child? The lengths they would go to undo what has been done, the bargains they would cut,...

‘The Phoenician Scheme’ is a messy movie that feels like a shrug

‘Final Reckoning’ closes 30 years of impossible missions

Fest will center on moral panics

Everybody has a friend like Withnail. And everybody’s worked for a Dennis. It gets harder when, one day, you stare into the mirror and see either of them looking back.

They don’t make ’em like they used to. That’s a line you’re bound to hear anytime you talk to someone fixated on the yesteryears of cinema. Their position: Movies are...

‘The Shrouds’ unearths the persistence of grief

Watching A Woman of Paris today — available on Blu-ray from The Criterion Collection — it’s obvious Chaplin was out to prove something.

Cinematic Survival Guide, Vol. 2

It’s time to stop overlooking these films. If we are going to make it, it’s going to take attention as well as action.

Ebert Interruptus returns to CWA

Salt Lake City Weekly film critic on Sundance leaving Utah

‘White Lotus’ costume designer talks ‘loud luxury’ ahead of Denver runway show 

Boulder embraces its Sundance era

‘Death of a Unicorn’ is a shallow satire with nothing to say

‘Black Bag’ is a smart little thriller about love and lies