Tag: Apr 21 2016 issue

Entering a new era of international drug policy

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NEW YORK — The United Nations General Assembly Special Session on drugs (UNGASS) convenes this week to debate and accept a resolution reforming the...

Signature time for anti-fracking initiatives

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Colorado voters could see two constitutional amendment initiatives on the November ballot that, if passed, would limit oil and gas development near populated areas...

Born again runner

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They say you can’t run before you walk, but Terry Chiplin may be the exception to the rule. The British-native is the founder of the...

I dare ya’

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This might be a stretch, but if you get right down to it, Joey Vega owes his 30-year career in comedy to a nightclub...

Il Pastaio is food for the soul

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We’re taught in early language arts classes to write what we know. But in writing about food, the adage creates a paradox: When a...

Tool time

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When I’m asked: “Which kitchen tools are absolutely essential?” I’ve always answered in my sage Jedi voice: “A sharp chef’s knife and your hands.” While...

Copper Kettle’s Mexican Chocolate Stout is still a winner

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Let’s all agree that this past snowstorm was the last throe of winter. In exchange for politely ushering winter out the door, we’ll drink...

Boulder Phil to help produce a ‘masterpiece’

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J.S. Bach’s St. Matthew Passion is at least three different works. It is a sacred work, written and performed in Bach’s lifetime as part of...

Hanging with Hannibal

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Everybody kind of stinks, in my opinion. I don’t really like anyone,” says comedian Hannibal Buress. As most comedians do, Buress draws from his daily...

Why not Longmont, as a Colorado film hub?

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You may not have heard much about Colorado’s film industry. When you think cinema, you think New York or Hollywood. If you do think...

A visual story of mountain building

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Located at the nexus of the Great Plains and the Rocky Mountains, Boulder’s topography is the ultimate geologic juxtaposition. The change of slope where...

Beasts of burden

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The Jungle Book is director Jon Favreau’s “live-action” — if you count an entirely CGI environment with almost entirely CGI characters to be “live-action”...