By Michael J. Casey - Jul. 31, 2024

Love language

Loving cinema is a one-way street. Oh, I love movies. Hell, I love certain movies more than some of the people in my life. But I realize that adoration isn’t...

By Jezy J. Gray - Jul. 31, 2024

Odd have mercy

Friday nights are freakier at the Dairy Arts Center. Since 2016, the nonprofit creative hub has welcomed local weirdos to its weekly screening of underground films you won’t find on...

By Gregory Wakeman - Jul. 24, 2024

Y’all means all

When Luke Gilford was co-writing and directing his debut feature film National Anthem, he couldn’t help but think back to his youth in Colorado. Based on his photography book of...

By Michael J. Casey - Jul. 24, 2024

Hall of mirrors

It was the mirrors that caught my attention. I hadn’t seen Jeremy O. Harris’ groundbreaking Slave Play, but Charles McNulty’s review in the Los Angeles Times heralding the West Coast...

By Michael J. Casey - Jul. 17, 2024

Satanic panic

The first thing you see is a house inside a boxy frame with rounded edges, like a 16 mm home movie. It’s winter, Jan. 14 to be precise, and a...

By Michael J. Casey - Jul. 8, 2024

Life’s but a walking shadow

Of all Shakespeare’s plays, few hold fascination with artists and audiences quite like The Tragedie of Macbeth. Romeo and Juliet has the romance and Hamlet has the speech, but Macbeth...

By Jezy J. Gray - Jul. 2, 2024

Bloodsuckers welcome

After the grim spectacle of last week’s presidential debate, we could all use an escape. If the real world isn’t weird enough for you, the film freaks at the Dairy...

By Michael J. Casey - Jun. 12, 2024

Death becomes her

The specter of death hangs over everyone and everything. In the movie Tuesday by writer-director Daina Oniunas-Pusić, that specter takes the form of a size-shifting parrot — a filthy, scarred...

By Michael J. Casey - Jun. 5, 2024

The man who made the myths

When Orson Welles was asked what filmmakers he admired, he responded, “I prefer the old masters, by which I mean John Ford, John Ford and John Ford.” Born John Martin...

By Michael J. Casey - Jun. 5, 2024

Fasten your seatbelts

Nothing screams summer quite like a road trip. The pull of the open road, the freedom to choose this path or that, the small pockets of life one comes across...

By Jezy J. Gray - Jun. 5, 2024

Front Range strange 

Like most nonprofit workers, you’ll find Shay Wescott wearing many hats on a given day. Her main job is overseeing fundraising efforts for the Dairy Arts Center as the multidisciplinary...

By Michael J. Casey - May 29, 2024

OK boomer

Few cinematic forms benefitted from the advent of digital technology like the documentary. And not just in cost and access to equipment but in the proliferation of digital archives directors...

By Michael J. Casey - May 15, 2024

Cruel world

The place is filled with glowing neon lights, loud noises and whirling games. Families play and celebrate birthday parties, but down the center aisle shuffles an old-timer apologizing to everyone...

By Michael J. Casey - May 8, 2024

Career killer

Something must have been in the water in 1960. All around the world, filmmakers, either at the beginning, middle or the end of their careers, swung for the fences.  In...

By Gregory Wakeman - May 6, 2024

Let’s get physical

It’s been nearly two decades since Jessica Rothe called the Front Range home, but the prolific screen actor says she’ll always be “a homegrown Colorado girl.” Like her parents, Rothe...

By Michael J. Casey - May 1, 2024

Dirty talk

A letter has arrived at the Swan residence, a despicable letter riddled with obscenities and sexual vulgarity. It’s the 19th of its kind, and each one has scandalized dear old...

By Gregory Wakeman - May 1, 2024

Open and shutter

Jennifer Takaki’s path to directing Photographic Justice: The Corky Lee Story began with a chance meeting in New York City back in 2003.  “It was a very random moment,” the...