<![CDATA[Boulder - Weekly - Reel To Reel]]> <![CDATA[Reel to reel | Week of October 4]]> 17 GIRLS: Inspired by a true story that took place in Massachusetts, Delphine and Muriel Coulin’s provocative directorial debut focuses on a group of bored teenage girls who all make an irrevocable pact.]]> <![CDATA[Reel to reel | Week of November 8, 2012]]> Ben Affleck’s latest directing project (in which he also stars) is based on true events from the Iranian revolution in 1979.]]> <![CDATA[Reel to reel | Week of July 18, 2013]]> V/H/S 2: This follow-up to V/H/S ventures even further down the demented path blazed by its predecessor, discovering new and terrifying territory in the genre. At SIE FilmCenter. — Denver Film Society]]> <![CDATA[Reel to reel | Week of July 11, 2013]]> <![CDATA[Reel to reel | Week of November 1, 2012]]> 35TH STARZ DENVER FILM FESTIVAL: Denver Film Society celebrates its 35th anniversary by screening over 250 films, featuring acclaimed individuals in the movie industry, and many other entertaining events.]]> <![CDATA[film]]> As the first movie designed for the second-screen experience, this is the only time that we will encourage you to use your mobile device in our theater. Download the app called IRIS before the movie, and then you’ll get extra content to enhance the experience while you watch this Dutch-made thriller about an app that goes too far.]]> <![CDATA[Ride fast, die young]]> All it took was Lance Armstrong and a very successful “Bike to Work” campaign and cycling became more popular than ever. Especially in Boulder where the cycling community is positioned to overthrow every last automobile on Broadway.]]> <![CDATA[Reel to reel | Week of July 4, 2013]]> Cloudy With a Chance of Meatballs 2 If you and the kids liked the first version, then you’ll no doubt like the second. Rated PG. At Twin Peaks.]]> <![CDATA[Reel to reel | Week of Jan. 23]]> 12 Years a Slave In the pre-Civil War United States, Solomon Northup, a free black man, is abducted and sold into slavery. Rated R. At Colony Square and Mayan. — Landmark Theatres]]> <![CDATA[reel to reel | week of Feb. 6]]> <![CDATA[Waltzing with the enemy]]> Dulaine knows at the outset of the film that teaching dancing in a culture where some men elect not to touch women all together will be difficult, but he is a man on a mission. Dulaine is no stranger to the customs or the Israel- Palestine conflict, and claims to come with no political agenda, just a desire to teach dancing.]]> <![CDATA[film]]> At first this film seems to be a comedy about a red-haired man trying to find love, but through revealing moments, whimsical animation and real interviews, a universal story arises.]]> <![CDATA[Reel to reel | Week of August 2, 2012]]> <![CDATA[reel to reel | Week of Jan. 05, 2012]]> <![CDATA[film]]> A 40-year-old father’s life is complicated when the mother of his two children moves to New York. Since he can’t bear them growing up far away from him, he decides to move there as well, and also fathers a child for his lesbian friends, marries a Chinese woman for a green card and falls back in love with an old flame.]]> <![CDATA[Reel to reel | Week of March 28, 2013]]> THE SHINING: FORWARDS AND BACKWARDS: An experimental showing of Kubrick’s The Shining plays the movie forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities. At VAC Basement Auditorium. — International Film Series]]> <![CDATA[Reel to reel | Week of September 6, 2012]]> <![CDATA[Reel to reel | Week of November 15, 2012]]> Anna Karenina is acclaimed director Joe Wright’s bold, theatrical new vision of the epic story of love, stirringly adapted from Leo Tolstoy’s great novel by Academy Award winner Tom Stoppard (Shakespeare in Love). Rated R. At Esquire. –– Landmark Theatres]]> <![CDATA[Reel to reel | April 26, 2012]]> <![CDATA[reel to reel | Week of Feb. 20]]> Night of the Living Dead To describe it as “A group of people hide from bloodthirsty zombies in a farmhouse” would be like summarizing Titanic as “Big boat hits chunk of ice; sinks.” But Living Dead is half as long and more than twice as interesting. At Boedecker. — Boedecker Theater]]>