<![CDATA[Boulder - Weekly - Reel To Reel]]> <![CDATA[reel to reel | Week of May 10, 2012]]> <![CDATA[Reel to reel | Week of Jan. 23]]> 12 Years a Slave In the pre-Civil War United States, Solomon Northup, a free black man, is abducted and sold into slavery. Rated R. At Colony Square and Mayan. — Landmark Theatres]]> <![CDATA[reel to reel | Week of Feb. 20]]> Night of the Living Dead To describe it as “A group of people hide from bloodthirsty zombies in a farmhouse” would be like summarizing Titanic as “Big boat hits chunk of ice; sinks.” But Living Dead is half as long and more than twice as interesting. At Boedecker. — Boedecker Theater]]> <![CDATA[reel to reel | Week of July 12, 2012]]> <![CDATA[Reel to reel | Week of August 29, 2013]]> Closed Circuit: In this suspense thriller, two former lovers wind up on the same defense team representing the only surviving member of a terrorist cell that attacked a London market. Rated R. At Century and Chez Artiste.]]> <![CDATA[Reel to reel | Week of March 14, 2013]]> STOKER: When India becomes infatuated with her weird uncle Charlie, strange things happen.]]> <![CDATA[Reel to reel | Week of September 6, 2012]]> <![CDATA[reel to reel | Week of June 23, 2011]]> Having played sweet, good girls for too long, Cameron Diaz gets in touch with her bad self as the world's worst schoolteacher, an alcoholic, drug-using party animal who tries to seduce a wealthy new substitute (Justin Timberlake). Rated R. At Flatiron, Century, Colony Square and Twin Peaks.]]> <![CDATA[Goodbye to all of that]]> In 1960, Jean-Luc Godard revolutionized cinema. Breathless wasn’t just a break from the old ways of filmmaking, it was as if cinema had cracked off and begun again. Seven years later, Godard concluded Weekend with the title card, “Fin... de cinema.” It was a cheeky moment, but for the French critic turned filmmaker, it had razor sharp teeth. Now the 84-yearold director is back with another entry into his ever-evolving theory of cinema and this time around he tackles the money-grubbing gimmick of 3-D. Only in the hands of Godard, it isn’t a gimmick, it’s just another arrow in his quiver. ]]> <![CDATA[Watch]]> Sports have an uplifting nature that can unify communities after times of great loss; case in point Rising from the Ashes. The documentary tells the inspirational story of the first Rwandan National Cycling Team and their journey to the London Olympic Games.]]> <![CDATA[Reel to reel | Week of February 14, 2013]]> IDENTITY THIEF: The director of Horrible Bosses returns with the story of Sandy Patterson (Jason Bateman), who heads to Florida to find the woman who is living extravagantly off of his money after stealing his identity. Rated R. At Century, Colony Square and Twin Peaks.]]> <![CDATA[Children of the night]]> Instead, their bodies are pushed into a ravine in the middle of town, one that is starting crowded. It’s business as usual in Bad City. or not Arash (Arash Marandi) The or what she is capable of — doesn’t really matter. He is attracted to her. Attracted in that distant, cool, blue jean, James Dean, let’s-just-listen-to-the-music, kind of way.]]> <![CDATA[film]]> This is a bittersweet film. Two academics whose love life is about as exciting as their careers, which are about as exciting as paint drying, decide it’s time to relight the fire. They head to Paris where they once honeymooned, in their effort to find what has been lost.]]> <![CDATA[reel to reel | Week of August 25, 2011]]> Zombieland director Ruben Fleischer returns with this comedy about a pizza-delivery guy (Jesse Eisenberg) who is kidnapped by dim-witted criminals (Danny McBride and Aziz Ansari) and forced to help them rob a bank.Rated R. At Flatiron, Century, Colony, and Twin Peaks.]]> <![CDATA[Film-to-table]]> This might be a little na´ve,” director Mitch Dickman tells Boulder Weekly. “But I’ve been... talking about this film-to-table idea. I think the food community has done a tremendous job of capitalizing on the farm-to-table movement. I don’t think film is all that dissimilar.”]]> <![CDATA[reel to reel]]> <![CDATA[Reel to reel]]> A realistic, funny and, at times, heartbreaking look at dating, love and friendship told from the point of view of Tyler, a perpetual bachelor. Tyler follows a set of rules specifically designed to help him avoid emotional attachment. At Denver FilmCenter/Colfax. — Denver Film Society]]> <![CDATA[reel to reel | Week of Sept. 22, 2011]]> When U.S. troops occupy his village, Rafael (Joel Torre) comes under pressure from a tough-as-nails officer (Chris Cooper) to help the Americans in their hunt for Filipino guerilla fighters. But Rafael%uFFFDs brother (Ronnie Lazaro) is the head of the local guerillas.]]> <![CDATA[film]]> <![CDATA[Reel to reel | Week of September 20, 2012]]>