The most laughable part of Her isn’t the complex, sophisticated romantic relationship between a man and his software operating system; it’s the high-waisted, Clint Eastwood-esque pants everybody wears.
Just like last time, the story is almost a nuisance. In the early 1980s, Ron and Veronica (Christina Applegate) are a successful husbandand-wife news anchoring team, until she gets a promotion and he doesn’t. Because he’s shallow and petty, he abandons his wife and son to wallow in whiskey.
Against all odds, Love Actually has sort of, kind of, maybe become a holiday classic. On one eventful Christmas in England, something like 500 couples, including Professor Snape, magically fall in love.
The story is just so much richer, as it doesn’t stop at “Baddie McEvil tries to destroy the world.” We join Bilbo and his dwarf buddies as they are nearing the secret entrance to the home they were forced to abandon on the grounds of “Oh, dear God, that’s a fire breathing dragon,” which is an understandable reason to break a lease.
The only thing worse than years virtually free of good movies are years when I could make a top 10 list from the films I cut from my final top 10 list. What I’m sayin’ is: 2013 was real, real good, y’all.
Philomena is kind of a tough sell. It’s not a feel-good holiday picture or a tour-de-force acting showcase destined to be showered with Oscar kisses. All the movie has to offer is the fact that it’s really, really good.
With a female protagonist, overt racial themes and a wonderfully literal “poor versus the poor while the rich look on” centerpiece, Catching Fire is the best science-fiction sequel since The Empire Strikes Back and is far more important.